But you can’t help us if we’re just a little biased toward Kirby’s edition. He is so much cuter than that old fool Eggman, after all. The name Peter Molyneux is well known across the gaming industry today, as the humble British designer has become an icon of design for his groundbreaking Black & White god games and the Xbox-exclusive Fable series.
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He first started on the path to those more modern success stories with one big 16-bit hit, though – Populous. Essentially establishing the “god game” as a genre, Populous cast you as an omniscient being in full command of a world of virtual people.
Over there it was Dr. Robotnik’s Mean Bean Machine, starring Sonic the Hedgehog’s arch-nemesis in the title role. For Nintendo players, though, it became a Kirby game – as the happy pink puffball headlined the action. Both games were American localized versions of Super Puyo Puyo, an excellent and addictive puzzler that deserved to be played by both sides of soldiers in the ’90s 16-bit wars.
Neo Geo games were so prohibitively expensive compared to the other options, though, that few young fans could ever hope to afford them – meaning owning incredible fighting games like Fatal Fury was like an unattainable dream. This one’s always been an interesting situation, since it’s Nintendo’s version of a puzzler that also saw a Sega-branded edition launch for the Genesis.
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You could remake the terrain around them, trigger natural disasters and fight back against rival SNES ROMs deities for the right to claim worshipping subjects as your own. It sold millions, established Peter’s creative mind and kickstarted the chain of events that got him to where he is today. You played as a man named Jake Armitage who’s gunned down in the game’s opening moments, only to awake somehow still miraculously alive in a morgue – with, of course, amnesia.